Collaborateur – Magpie Tales

tintype 1850s

“Mademoiselle Dupont? Elodie? What are you doing here?”

Sarah stiffens, lowers her newspaper and her heart sinks. Her skin crawls with anticipation and fear. She hopes her husband is long gone from his spot in the shadows..

“Gunther! What a wonderful surprise! How have you been?” she trills, her voice light and carefree, or so she hopes.

The young officer, crisp and correct in his grey uniform waits to be invited and then sits down. He looks a little older than when they met last year, there are grey hairs, frown lines and a scar on one cheek. He is no longer fresh-faced, but his smile is still as beguiling as ever.

“Liebchen, I have missed you,” he says quietly, urgently, leaning forward so that only she can hear his whispered words. He strokes her cheek gently with his index finger.

Sarah blushes and looks down, unable to ignore the rapid beating of her heart.

“Putain! Filthy putain!” hisses the waiter as he glides past their table. This evening he has seen her sip fine French wine with a brave, loyal Frenchman and now she intends to guzzle rough German hock with an officer of the occupying forces. It is too much.

He slips outside, silent as a wraith in the steam and clatter of the kitchen, grim-faced

“Hsst! Guillaume!” he has reached the shadows beyond the streetlights, seen the tell-tale glow of the Gauloise that tells him the man is still there, watching, waiting.

“Oui, Gaston. I am here. What is it?”

“Your wife, she is a putain, uh? A traitor! Have you seen her cavorting with the German pig? Did you know, huh? Did you?”

The two men stare into the restaurant, watching the couple together at their table. They are completely absorbed.

“I see her, Gaston. Believe me, I did not know,” says the man quietly. He drops his cigarette on the ground, grinding it under his heel. He sees his action as a symbol of what happens next.

“You will do it, Gaston? You will deal with her?”

“I will. Bien sur, I will.”

They turn away from the restaurant, too soon to witness the German officer stand and leave, Le Figaro held firmly in his hand.

——

Here’s my latest entry to Magpie Tales. This story follows on from my entry last week, so please feel free to read that one first, or just read this in isolation. To me, the man in this photo represents the angry waiter!

I hope you enjoy it – and please do visit Magpie Tales for more poetry and prose!

 

magpie tales statue stamp 185

Stoned – Friday Fictioneers

Here is my latest entry into the weekly challenge brought to us by the lovely Rochelle Wisoff-Fields.

Here are the rules: Use the photo as inspiration, write a hundred(ish) words – and share! Here goes my offering for this week – and I welcome your comments again!

claire-fuller-3

Copyright – Claire Fuller

“What’s that you’ve got there, then?”

“Go away, it’s mine.”

“Alright! I just wondered what it was. And why you keep on staring at it.”

“Its what they call a mirror.”

“Never heard of such a thing. What does it do?”

“It doesn’t do anything –“

“Oh, yawn, yawn! So dull –“

“If you’ll just listen! Ladies have them, to make themselves beautiful.”

“Oh, well, that’s different then! Give it to me! Perseus will just die if I’m even more pretty!”

No, no, don’t look at your reflection! What about -?!”

Damn. Silly Medusa. Vanity had the last laugh there then. Or rather…

 

 

—-

Click on the blue froggy below to read others’ offerings!

Croix de Guerre – Magpie Tales

frampton, meredith, a game of patience 1937

A Game of Patience, 1937, Meredith Frampton

‘They don’t know who I am,’ thinks Sarah, placing the cards deliberately, slowly, carefully on the table in front of her. The waiter walks past with a tray of drinks. He is heading to the back room, the private room, which hasn’t been available to anyone but a select few for several months. It is what it is, for now.

“Mademoiselle Dupont?”

The voice is firm and confident. Good, he has belief.

“Oui, Monsieur Levillaine. But please, call me Elodie.” She gesticulates to the chair opposite her, sweeps the playing cards together and returns them to their tattered cardboard case.

“And please, call me Guillaume.”

He takes a seat, places his newspaper on the table, a half-smile playing around his lips. He is handsome, with a five o’clock shadow just beginning to show even at this early hour. It covers the light scar creasing his jaw line from earlobe to chin – the scar that Sarah knows so well.

Drinks are brought to the table and sipped, and desultory conversation follows. The streetlights glow as evening descends. The men in the private room prepare to leave, chairs scrape the parquet floor as they gather scarves, coats and hats. The mood appears to be light, oiled by brandy. They have no reason to be serious or concerned, after all.

Her guest takes his leave just before the private room empties. He places his hat on his head at a jaunty angle as she stands and they faire la bise – one, two, three – then he is gone.

The grey-uniformed men flow past, paying no attention to the quiet woman sitting at the corner table, reading Le Figaro intently.

The pack of playing cards is safely ensconced in her guest’s coat pocket. The next link in the chain is complete.

The man stands outside in the shadows, lights a Gauloise, watching his wife through the windows of the restaurant. He has never been more proud, never been more afraid for her.

Hidden in plain sight is a dangerous, dangerous game, even in these desperate times.

——

Here’s my latest entry to Magpie Tales. I’ve not heard of this artist before but I do love this painting. I have no idea why my mind went to World War Two and the Special Operations Executive – but there you are. She just looked like she was waiting for something.

I hope you enjoy it – and please do visit Magpie Tales for more poetry and prose!

 

magpie tales statue stamp 185