Martini (dirty)

Once in a lifetime I hover
at the threshold, made ice
with fear, thawed by hope
yet brittle with acceptance
for this is no rehearsal; no
amount of practising the
u
n
f
u
r
l
i
n
g
of your life
can prepare me for your journey

and this will not be
the last time, for you are the first
the most important, paving the way
and perhaps, because of that
I fancy this gives you solace
together with the drama
that your departure creates;
a fanfare marking your final parade

you are not keen on acceptances
nor being the quiet man
preferring to make waves, no, bloody storms!
your greatest fear is
being left behind, so you leave first
slamming the door shut
to make your point

hope is a barbed crown of barbed roses
scratching your scalp red-raw, blood
and perylene petals not merging, but fighting
like the tigers in your soul; I never know which one will win
fearing one, hoping for the other
understanding
finally, that I have no say

as for the ice?
you prefer it
- - floating - -
in your martini (dirty)
two olives, pierced

and even still you raise your glass chin chin
and I ciao ciao
you, always present, never past tense
au revoir, Dad
this is not goodbye.


Over at dVerse Poets Pub, it’s time to dive into a bit of Poetics with our friendly host, Kim. This week she has asked us to be inspired by the glorious poem ‘The Window’ by Mary Jean Chan, which you can read here. Her poem won second prize in the 2017 National Poetry Competition.

Kim has asked us re-read and explore Chan’s poem,  particularly the use of line breaks and caesura to build rhythm and evoke emotion, and the three-word movement: “anger is like the sun, which is like love” and then write a poem that begins with ‘Once in a lifetime’, just like Mary Jean Chan’s.

Writing this was certainly enjoyable but quite a challenge to begin with, and then I got into a rhythm, losing myself in the process. Even though it’s thirteen years since my dad died, he’s still inspiring me. His death certainly wasn’t goodbye!

If you’d like to join us, head over to dVerse, follow the guidelines and most of all, have fun!

(Image by https://www.pexels.com/@amine-kubranur-cakiroglu-689611212/ on Pexels).

Only A River

Dogs howl, as is their wont. 

The cold moon rises, her blank face pierced by branches turned naked and brittle. All trees are leafless at this time of year, bark rimed with frost.

My breath hangs, shimmering in the freezing air, and the iridescent image swims through a mirror that flows like liquid silk. I frown at such misplaced fancy. It is only a river reflecting evidence of my vitality. 

A river… A chance.

The bloodhounds remain far distant yet. I brace myself against the cold and step into the freezing depths, gritting my teeth. 

I wade agains the current, skin, muscles, bones aching in protest, my greatcoat sagging, dragging heavy with water. 

Until the wretched creatures lose my scent, here I must remain. I plead, to any great benefactor who might hear my prayers, for clouds, mist, a dense fog. 

For my freedom.

Over at dVerse Poets Pub, it’s time for a bit of Prosery, courtesy of Dora. She has asked us to create a piece of prose, fiction or non-fiction, to include the following line from Stanley Kunitz’s most famous poem, King of the River:

. . . and the iridescent image swims
through a mirror that flows.”

I haven’t written a Prosery for some time, so this is a fun diversion from my usual poetic adventures. it must consist of maximum 144 words, and while the line can include different punctuation, it cannot be otherwise changed. I truly enjoyed incorporating this line into my fiction piece, and I hope it fits well into my narrator’s thoughts.

If you want to join us in this poetry adjacent journey, head on over to dVerse and dive in!

(Image courtesy of Muhammed Zeya on Pexels).

Vicious and Kind

We are vicious and kind
pendulum-swinging between
one and the other
over coffee and cereals
in expectation of bills we can’t pay
and no windfall from a lottery we never took part in

It won’t be too long before one of us walks out
leaving our keys in the dish on the hall table
not going for good
but just because working for the corporation
and the wished-for weight of external expectation
is, in that moment
more meaningful than launching a lifeboat
to rescue our foundering relation-ship

and thank god, it gets us out of each other’s way
healing the bruises
for one more day
for now

I might get a bonus
so I can pay the locksmith to break into the house again
you made me forget my keys
and where the hell were you last night anyway?

And so we rattle on
marking time until we couldn’t care less
numbed by indifference and backs turned at night
blinking at that last box of books we can’t care to fight over
one of us walking through rooms
echoing with apathy
wondering how it all went wrong

I stand at the door
waving like I always did
but you drive away
not looking back
you don’t remember our old routine
or choose not to repeat it anymore
and that’s it

The end.

It’s Open Link Night over at the dVerse Poets Pub, which means we can either share a poet of our choice, or be inspired by the optional mini-prompt. I chose to share a poem I wrote some time ago, accompanied by this image of a screaming baby bird, which is part of a large painting I created, also some time ago.

As they say, the past is another country,

Please do join us over at dVerse if you love writing and reading poetry. It’s a lovely community and the hosts will give you a warm welcome.