Category History

Hiraeth

freyathewriter 27 Comments 
Hiraeth
Hiraeth
Cymru am byth
in these stones lieth
rain, never-ending
turning streams into rivers
turning the wheel
the wheel
the wheel
breaking the stones
the bones
the bones
silver and lead
bring out your dead
count them
count them
bring out your dead

Hiraeth
Hiraeth
Cymru am byth
work them to death
for a crust of dark bread
darken the doorsteps
with the smuts on your breath
put them in barracks
work them to death
poison their bodies
with deadening lead
filling their pockets
with bones and dread
Cymru am byth
here, there lieth
the boys and the men
the drowned and the bloated
for the silver and lead

Hiraeth
Hiraeth
Cymru am byth
for the silver and lead
bring out your dead
turning them over
for the silver and lead
count them
recount them
we walk on the blood
of the boys and the men
of the gone and the dead
bring out your dead
cast in silver and lead

Hiraeth
Hiraeth
in these stones lieth
pray, a moment of silence
let them sing, witness
the troubles they had
Gwlad, Gwlad, pleidiol wyf i’m gwlad

Hiraeth
Hiraeth
Cymru am byth

For dVerse Poetics this week, Dora invites us to consider stone our muse for our poetic wanderings, whether it be gemstones, vast rocks, or somewhere in-between.

Where I live in Wales, I am surrounded by quiet hills and mountains that once roared with industry, stretching back over two thousand years. Whether it was silver, lead, copper or gold, the people of this part of our country mined it – you can only imagine the dangerous conditions in which they worked.

I chose to give a voice to the people of the past who worked in terrible conditions to bring the minerals out of the very rock of this land, weaving in some of the Welsh language at the same time. I have included explanations of the words and phrases that I have used below:

Hiraeth – a deep longing for something, especially your home
Cymru am byth – Wales forever
Gwlad, Gwlad, pleidiol wyf i’m gwlad – Land! Land! I am true to my land! This is from the national anthem of Wales, Land of My Fathers.

If you would like to join us in writing a poem inspired by stones, precious or otherwise, click on the link above and join us!

(Photo of the Cwm Elan lead mine, from 28dayslater.co.uk).


dVerse Poetics – Blessed

freyathewriter 25 Comments

Image – author’s own

We didn’t know we didn’t want it
Until we’d passed it all around
We didn’t know how to stop it
So many six feet under ground

Our homes they began to empty
Some tried to run far away
The brave ones locked the village down 
Others fell to their knees to pray

The vicar held services in the fields
The church was locked up tight
Still the sickness danced in the air
Giving us death deep in the night

We saw not a soul in fourteen months
Our dead in our gardens now rest
The streets have been emptied of laughter and joy
But we are alive, so we must be blessed

*****

Tonight over on dVerse, Merril is our genial host and has asked to write on the theme of giving. I learned a new thing, that the Tuesday after US Thanksgiving is known as Giving Tuesday when people often donate to charitable organisations and non-profits.

Now… true to type, I have at first sight opted for the giving, or passing around, of something unpleasant – disease. My poem is inspired by the village of Eyam in Derbyshire which was infected by the Great Plague in 1665, after a parcel of infected cloth was delivered from London to the village tailor. Under the leadership of the rector, Reverend William Mompesson and his predecessor, Reverend Thomas Stanley, the village took measures to prevent the plague spreading to the surrounding area and also to limit, where possible, spread of disease within the village.

Of the 800 people living in the village, 260 died. If it hadn’t been for the brave actions the community took, the surrounding areas could have been at least as badly affected as Eyam. This is the real gift behind my poem.

The photo above is a window in the village church, telling the story of Eyam and the Great Plague. If you wold like to know more, please check out the village website here.

If you would like to read more poems on the theme of giving, please hop over to dVerse and enjoy! You could also take part if the mood strikes you!

Superfat Seven

freyathewriter 2 Comments

Yesterday I was having a chat with one of my writer friends about putting your face online. He has just launched the second novel in his series about Ardamin, a clone inhabiting a dystopian future (check the series out here on Amazon) and he has been promoting the latest novel on Instagram, including showing himself with his book.

So far, so normal. Unless you’re me, or someone like me. I’ve been running this blog since April 2013 (with some gaps for life events) and I’ve never put my face, let alone my body, on view. Over on my Instagram account there are maybe three instances where I’ve revealed myself as an adult. That’s out of 581 posts I’ve put up over there. And… to be honest I fight every day not to take them down. I may yet do that.

Why?

Superfat Seven.

When I was nine, we moved house, from a big city to a village. I was The New Girl. And some boys in the class below me immediately started calling me Superfat Seven. Until this point, I don’t think I’d ever thought about how I compared to other kids in my class. I was just me. That name would follow me everywhere I went, and I dreaded walking home from school if they were on the same street (which they often were) because the name calling would follow me home. I’ve seen photos of myself at that age and I can’t see why they chose that name, looking at it objectively. I had pudgy cheeks, but I wasn’t the huge lump that I very quickly saw myself as due to this name. Looking back, I guess the sole reason I was bullied was because I was The New Girl. That was it. But, the name had life-changing consequences.

I’ve never been diagnosed (I’ve never sought it out), but I’m almost certain I have Body Dysmorphia. I will do almost anything to avoid having my photograph taken. Even with family photos as I was growing up, I desperately wanted to grab the camera and throw it to the floor. But I was a well-behaved kid and knew that cameras were expensive so… I didn’t. I can’t bear to look at myself in the mirror. The only thing I focus on when doing my hair in the morning is the hair itself. When going somewhere where I have to be presentable, I focus on the neatness and cleanliness of the clothes themselves and whether what I have chosen is objectively ‘good enough’, not how I look in what I am wearing, because I will never accept how I look.

I have learned to mask the depression and anxiety that this has caused, but it has become entangled in other issues over the years. Unravelling it all seems like another lifetime’s work. Masking is what we do to get by in life, isn’t it? Don’t get me wrong, I don’t for one minute think that anyone else is bothered by how I look, nor do I think I am the focus of their attention. This is all about my inability to accept myself.

Superfat Seven.

What has this got to do with writing, with being an author? A hell of a lot, actually. Marketing your novel when the perceived wisdom is that you will be more approachable, more memorable, more relatable (I hate that word so much!) if you show your face, is a huge problem for someone like me. I know so many other authors who have their Instagram account filled with themselves. Their posts are bright and engaging and… relatable.

The upside is that I used this crushing mental health issue (because it is a mental health issue, let’s be honest) to my advantage when writing Callie, the main character in Anti-Virus. The cause of her situation is very different and entirely more violent than childhood bullying, but I was able to build on my personal experiences to create her story. So, there is that.

They say what doesn’t kill you makes you stronger. It may be true. Sometimes though, it would be such a relief to be strong without having to go via Superfat Seven Highway to get there.