Those plot holes

In this week’s instalment of my novel writing journey, I’m thinking about those annoying, wake-you-up-at-3am issues. You know, you’re happily writing away, (or in my case, editing) and something just feels a bit off. But you carry on anyway thinking ‘I can edit that later’. And then before you know it you’re wide awake, staring into the abyss, screaming inside your head.

Let’s set the scene. Your protagonist is doing their thing, tracking someone using their security services issue tracing device which is never to be used in anything other than an official capacity (but hey-ho, she’s doing that anyway), and then it all gets a bit shady and so you decide to highlight the paragraph, make a note in the sidebar and move on.

And then a few weeks later another scene links back to that first shady scene, but you decide to highlight the paragraph, make a note in the sidebar and move on. Because it’s not central to the plot, but is a wrinkle. And you can edit that later.

Repeat, until you have eight of those ‘edit that later’ moments.

Ladies and gents, that ‘edit that later’ time is now. Or rather, for me, it was yesterday. In my initial editing phase, I had still skipped gaily over those ‘edit that later’ highlights because, I could still ‘edit that later’. Here’s the back story. I had made an abortive attempt to completely edit my novel at the beginning of this year. And then Covid happened and everything was chaotic and well, you know. Everybody knows. So I stopped editing and put it all to once side until the last day of August.

So where I am now in my super-charged editing phase is that I am in the final third of my manuscript and I haven’t read this part of my novel with an editing hat on since the end of last year. I don’t know about you, but my memories of the previous year are generally really rather vague, even more so now because, well, 2020. Anyway, on Thursday evening another scene popped up, linked to the earlier eight scenes up above and you guessed it, I had, when I first wrote it, highlighted the paragraph, made a note in the sidebar and moved on.

You might be shaking your head by now, quite possibly rolling your eyes so loudly that I can hear you (yes, I can hear you). Well, nobody is perfect, especially me, although I am making an attempt to be better because… I fixed all of these plot holes yesterday in a four hour stint of get your head down serious work. By the time I had reached the final stage of my normal back-up process (save on laptop (and therefore the cloud), save on pen drive, save on Time Machine external hard drive), I felt accomplished. One small step for Freya, one giant leap for Anti-Virus.

Perhaps I could have gone about this in a more efficient way. Perhaps I could have been more of a planner, less of of a pantser*. I’m pretty certain that I’m in that hybrid plantser category – you know, plan a bit and wing the rest of it. My novel started out as a germ of an idea entirely focused on a dis-United Kingdom scrabbling over water and other environmental resources in a climate change situation. That was a long, long time ago. It has evolved. It still does consider the human impact on our planet, it still is set in a dis-United Kingdom (and good heavens I really hope I’m not foreshadowing the future in too much detail), but it is very different from the ‘worthy’ nature of its beginnings and is firmly dystopian because that’s my bread, butter and jam. So, plantser. (I still have the initial handwritten notes I made about this, so I have the proof that I did plan, well, something).

I’m feeling good about where I am with Anti-Virus. Even if it is going to wake me up at 3am again (it probably will). Onwards and upwards!

*For those not in the know, ‘pantser’ as in fly by the seat of your pants. Planning and pantsing is a hot discussion topic in the writing community!

Engagement and supporting indie authors

This week, I have had a week off work. Not that it has changed my surroundings much because in this old-new working from home world, I am still at home, just not at my ‘office’ desk.

It has been productive. My plan was to get some good editing of my work in progress novel done, and sitting here at just after 10.30am on a Sunday morning, I can say that I achieved that.

In particular, I tackled a really knotty plot issue that had been bothering me for a long time. I had the epiphany a short while ago and the wise part of past me (I do have one) wrote it all down in my notebook that I keep here on my writing desk, ready for the day when I would need to refer to it. I also tagged it with sticky notes on which I’d written

PLOT RESOLUTION

Future me patted past me on the back for not thinking ‘oh, I’ll remember that’ because you know what, future me never does!

Present me (OK, I’ll stop now) is feeling satisfied, but I know that I still have a lot of work to do. I’m about two thirds of the way through my editing, so the bulk of that stage (words wise) is done. The next hill or mountain that I’ve started to tackle is engagement. Engagement with the writing community on Twitter for a start. I’ve had an account on there for a few years but wasn’t really that clear on how to make it work. Over the past few days, because I’ve had the time, I’ve worked it out a little bit more and got involved in a few conversations and gained followers. I shall stick with it. Instagram is less of an issue because that is the one thing that I’ve stuck with over the past few months, as you know. I think it’s going to involve some hard work to gain a decent following in the Twitter-verse, but I shall stick with it.

The future of my book is at stake.

Well, the future of my book being read by lots of people, that is. It’s not a pandemic after all (or is it?).

Talking of books – I bought and have started reading a novel that was recently published by a fellow author I have met through Instagram, City of Immortal Shadows by T.J. Swackhammer.

It. Is. Really. Good.

Take a look at her website, get a feel for the world of Emaldin and if dark, foreboding and endlessly strange is up your dystopian alley, do buy a copy.

Well that’s me for the week. See you on Halloween!

Decay

As I mentioned last week, the editing process for my work in progress novel came to a halt round about the beginning of lockdown here in the UK. I know I’m not alone in suddenly feeling like I just couldn’t be creative, at least not in a literary way.

I felt like the words had been sucked out of me, also not uncommon in what is now known as ‘these unprecedented times’. However, peculiar to my novel was the oh so ironic title of…

ANTI-VIRUS

Now, whilst my novel is set in the UK and takes place in a pandemic-type setting, the central plot isn’t about the pandemic itself (not really), nor is it about finding a cure (well, maybe it is), nor is about the heroic survival of a selection of characters against the odds (although perhaps it is). There is jeopardy, there is intrigue, there are twists and turns and characters who turn out to be, well, wrong in the head, but

IT’S NOT ABOUT A PANDEMIC! (EVEN THOUGH IT IS, KIND OF)

Sorry for shouting. It’s just that I had to do this to myself (in my head, I don’t actually shout at myself) in order not to let my novel shrivel up and die and become a largely insignificant – in the grand scheme of things – casualty of 2020. As you can probably tell, it’s complicated. I just didn’t have the energy to explain it back in March, April, May when things were really bad here (although not Anti-Virus bad).

That, dear reader, saved my novel, or at least meant that I felt connected enough to return to my literary offspring before the end of the year. It also meant that my pandemic era, government-approved, one hour walks turned into treasure hunts – if you consider treasure to be sinister, ugly broken things that are menacing in monochrome. Luckily I do. Also luckily I live in a city where there are pockets of these places tucked away, if you look hard enough. I am nosey and curious, so I have found them. I also found a new source this morning, a full seven months later, which pleases me immensely.

I know that this post is somewhat a reiteration of last week’s, but it’s important to me. I look to my left and I can see that I have increased my word count in the editing process. That, in this case, is a good thing. I mostly wrote Anti-Virus on my commutes to and from work, so in hour long snippets. This meant the writing was quite spare and my chapters were more like scenes – in-fact it read a bit like a screenplay. The extra 10,000 words (so far) are contextual so that there is more description of the world in which my characters exist. Not so much that there’s no room for imagination, but enough so that it doesn’t read as if everything is happening in an empty space.

I’M EXCITED!

Next week I’ll move on from the ‘thank God I didn’t let my novel die’ phase. But I’ll still be hunting for more photographic treasure, you can be sure of that!