Adaptation, and a blast from the past

Last week was my week back at work (ie, the work that pays the bills) after a week off. Boy, was it a shock to the system. Monday evening writing time went out of the window as I was mentally exhausted, the same for Tuesday, although I did write but it was pretty ugly stuff. Wednesday I knew I couldn’t write and that’s when the guilt set in, the guilt I discussed last week. I decided I had to approach things in a different way. I had to adapt.

Given that I’m strict with myself because of my aforementioned work addiction, adaptation is… a little tough. I have a routine, I have to keep to it (is that an addiction too? oh good grief…).

Uh, no Freya, you don’t.

What did I do? I got out my favourite biro and some paper and brainstormed, all the while telling myself that this was as good as, if not better than, writing. I wasn’t at my desk, I wasn’t staring at the computer screen, I was in a different environment and they do say, whoever ‘they’ are, that a change is as good as a rest.

It was. I unpicked a convoluted plot point that was looming at me like the poor old Groke and had the resolution all set out, in black and white, ready for when I could devote the less harried version of myself to actually editing my novel (early Saturday morning, in case you are interested in those details). I also adopted the same approach on Thursday evening and gave myself Friday evening off. (I know, go me!).

Adaptation. Is. A. Good. Thing.

Next topic, ie, ‘The Past’. One of my writer friends on Instagram asked for dark book recommendations and I was reminded of my participation in ‘Jessica’ (Helena Hann-Basquiat’s creation) along with authors from around the world. I decided to re-read my contribution, just for old time’s sake. It was quite the revelation. A dark, creepy, quite horrifying revelation. I’d forgotten how dark my imagination could be.

That might sound odd, given that I’m editing my dystopian novel, but this short story was a very different animal, leaning more towards horror, and set in a post-apocalyptic world. No zombies, no vampires, no dark magic, just people doing pretty horrifying things because of the world they inhabit.

It has inspired me to get back on the flash fiction/short story train, to get my horror on. I think I’ve been living in the world of Anti-Virus so much (of course), that I need to revisit worlds outside of that particular imagined reality. I expect it will add some more blackness to my second edit of the novel (I’m nearly at the end of my first full edit!). In my opinion, more blackness can only be good.

For anyone interested in Jessica (and really, you should be), here’s an unashamed link.

Jessica can be purchased – it’s the kind of girl she is…

Hello, dear readers! As promised yesterday, here is the big reveal!

If you have been itching to purchase your own, honest to goodness copy of Jessica whether in e-book or real, live gorgeous paperback, here is how you can delve into the dark side…


In October 2014 seven writers came together to create a meta-fiction project entitled JESSICA.

What was it all about? Here’s what Helena had to say:

“There are rumours that I keep a writer trapped in my basement… but I assure you… Jessica is and always was here of her own free will. Until one day she disappeared, and I began to realize that everything I thought I knew about her was wrong. Everyone has a terrifying story about Jessica B. Bell. Some of them are even true.”

It first appeared on Being the Memoirs of Helena Hann-Basquiat, beginning HERE.

If you read JESSICA, you may have noticed that there were pages torn from the journal. The complete JESSICA (with over 50 pages of new material – THE MISSING PAGES) can now be found on Amazon in PAPERBACK, or as a Kindle e-book.

There’s also a special, Deluxe Edition exclusive to iTunes (you will need an iPad or iMac/iBook to read – sorry, it won’t work on your iPhone).